My work explores the elusiveness of things: a deeper reality that resists capture yet insists on presence. Central to my practice is the sequence, which allows the unseen moments between frames to emerge as entry points into the unknown. It is in these in-between moments, rather than in isolated images, that presence asserts itself and meaning begins to take shape.

The true challenge for me lies in accepting uncertainty, approaching the unknown not as a void but as a liminal space in flux – an active field of becoming where transformation, ambiguity and desire can arise. Sequences lend my images a cinematic quality that resists the illusion of a single truth, stretching time and inviting the viewer to consider the quiet intervals. Like silences in music, they destabilise the fixed and allow longing to shape both subject and perception. 

My portraits and staged images cultivate this tension deliberately. Though rooted in a documentary tradition, they inhabit the space between reality and construction, clarity and obscurity. Through angle and framing, subjects often assume an androgynous presence, becoming embodiments of the liminal space the sequences expose. Desire is my method of looking: it guides what is captured and what remains elusive. In both landscape and portraiture, images do not conclude but gesture. Towards ambiguity, towards possibility, towards the unknown.